Monthly Archives: October 2015

Second Sale

I’m excited to announce that my short story “The Coin of Leadership” will be appearing in Stupefying Stories! I’ll announce here1 as soon as there’s an official publication date.

This story takes place in the same world as “The Wind and the Spark,” halfway across Europe, with a different cast of characters. It’s half military steampunk action-and-adventure, half class struggle and coming-of-age.

The Wind and the Spark

My first publication, “The Wind and the Spark,” is now for sale as part of Fictionvale Episode 6, alongside a host of other amazing authors and stories!

Fifty years into the Napoleonic Wars, a British scientist investigates automata that act not like machines, but like thinking creatures.”

You can buy the direct from the Fictionvale website, or from Amazon.

If you enjoy this story, wait until you see something I’ve written since 2013. Edited Oct 21: …including more upcoming stories set in the same universe!


This was one of my earlier-written stories, perhaps my third ever. Inspired by a late-night conversation back in Oregon, where I mentioned some piece of scientific history, and my friend’s jaw hit the floor1. I said, “Oh, that’s not common knowledge, is it?” And this story was born…

For some more thoughts inspired by the odd mix of characters in this story, see my previous post.

Why No Women?

My first publication, The Wind and the Spark, comes out this week in Fictionvale Episode 6. It’s one of my older stories, originally written in 2013; but after revisions in late 2014 with wonderful editorial help of Venessa Giunta at Fictionvale, I’m very proud of the tale. But I noticed one deep problem that I couldn’t fix in editing.

There are no female characters. None whatsoever, main or secondary or background.

Let me explain why:

The Bad Answer

The story takes place in the middle of the 19th century, on an Arctic military installation. Male-dominated profession, a cooped-up location. Within the story’s logic, there shouldn’t be any women there. This world is slightly more egalitarian than real history because of manpower shortages (pun intended) arising from long-term war, but we’re in the wrong geographical spot to see that in action.

So why is this a bad answer?

Nobody forced me to write a story about men in their manly Nordic outpost of manliness. I chose to write in a setting that excluded women. Therefore, I definitely need to have…

The Good Answer

Honestly, it’s just chance that I sold this sausage-fest first. As I’ve said before, diversity in fiction is a good thing for many reasons. The point is not to meet quotas, but to write fiction that reflects the world’s real diversity.

I don’t want to be one of those guys who pays lip service to diversity while writing about the bros and their manly manproblems, or blithely pasting in all-white futures, pasts, and secondary worlds. So it’s time to test myself, and check the demographics for all the stories I currently have out on submission, plus my works in progress (WIP).

For these statistics I limited myself to the top 3 characters in each story, though I sometimes included major presences who never come onstage. I only examined how the characters reflect real-Earth society, not how they fit into their local setting. For fantasy settings I’ve assigned characters to the Earth civilization they most evoke, though that obviously makes for crude approximations.

The Results

Diversity Table

Some thoughts:

  • 19/37 female, 7/14 protagonists.
  • 19/37 white, including the three “unspecified but assume white” and the many European Jews.
  • No, I’m not going to try to define “white;” that’s above the pay grade of this blog post.
  • “Hispanic” is probably the right word, because those three characters are all Hispanic-American. (Additional data not shown on chart: 4 stories set in USA, 6 in Europe, 2 in space, 3 in secondary worlds.)
  • † indicates a sexuality that’s identifiably other than cis/hetero (6/37 characters). Of the remaining 31, 11 are unambiguously cis/hetero. For the remaining 20, sexuality is ambiguous or not identifiable. (Authorial vision varies, but I don’t want to take credit for anything not in the text.)
  • The three *’s are the same character, as are the two **’s. I counted each appearance separately.
  • “Unspecified-white” means the story has no physical descriptions for anyone, but the character’s names are an “American generic” that probably implies white. The fairy is “bronze-skinned” but not any human ethnicity.
  • The MC of Custom Made is an inhuman entity in a female human form, but when it comes to Meltwater, this whole question gets utterly incomprehensible. I can’t even explain how incomprehensible it is without spoilers. This pleases me immensely.

Is this perfect? Surely not, even if I knew what “perfect” would be. This list has some definite strengths and successes, but also gaps and weaknesses. (For instance, compare diversity of characters vs. cultures/nations.) Nevertheless, it lets me answer this post’s question with data-driven certainty: I’ve only written one story on Frozen Sausage Island, I promise!

Fictionvale Approaching

This is the first story I sold, submitted back on New Years’ Eve of 2013. From the shaky internet connection of an AirBnB cabin in Arizona, if memory serves. Excited to see it hit print at last!

The author bio is a bit out of date now, but not too badly. I’m sure any stalkers can track down my move from central to eastern Missouri!

Stay tuned for Fictionvale Episode 6’s release at the end of this week…

September 2015 Update

Since I have so much already going on in writing and blog, only the briefest of monthly updates:

  1. I now have 4 stories on shortlists or similar final hold. 3 pro, 1 semi-pro. None of the ones from August have resolved. Aaaaaaaaa.
  2. Archon was awesome! I got to sit on panels and talk like a real writer! Yay!
  3. Still expecting my Fictionvale story to come out this week. Woo!
  4. Working on a new super-challenging-to-me story for a Codex contest. Ever upwards!

Vowels and exclamation points Iiiiiii!