Category Archives: Short Stories

Escape Pod: The New Rejectomancy

Good news for all you writers out there: starting immediately (last update February 5, 2019), Escape Pod is changing their rejection letters to a newer, more transparent pattern.

Escape Pod rejection letters will now be explicit and transparent about exactly where your story got in our editorial pipeline. For the last two years, the letters contained that information, but to interpret it you needed to read my website. No longer! That means you’re free to stop reading this post right now, its information is no longer necessary. But if you crave a deeper knowledge of rejectomantic arts, feel free to continue onward.

If the rejection letter provides no details about who enjoyed your story, that means your story was rejected after initial Associate Editor review. If your story passed any of the following milestones, the rejection letter will tell you whether:

  1. An Associate Editor passed your story up to the Assistant Editor.
  2. The Assistant Editor (me) held it for a second read.
  3. The Assistant Editor passed it to Co-Editors for the final round of consideration.

Associate Editors read each story anonymized1, but the Assistant Editor and Co-Editors can see the author’s name and cover letter.2 This process gives each story an initial read where it must stand on its text alone, while still allowing the cover letter to play a role, especially if the author has experiences relevant to the story.

The new letters also provide approximate statistics about the stages of our pipeline (“about X% of stories reach this level”). We hope this context will be useful, especially for new authors.

Rejection “level” is not an indication of story quality. It only tells you what it says on the proverbial tin: whom in our staff thought it might be a good fit for Escape Pod.

The only exceptions to this formula are three rare cases, all of them self-explanatory. “Violated guidelines” (generally for stories that are too long or too short), “Revise & Resubmit,” and of course “Acceptance.”

Unlike in the past, reprints and originals now receive the same rejection letters.

PERSONAL NOTES

When possible, we try to include personal comments in rejection letters, below the form text. Most personal notes are written by me based on Associate Editor input. In addition, sometimes the Associates write up the a note for me to paste in, and of course the Co-Editors write their own for the final round. The presence (or absence) of a personal note does not reflect how well we thought a story would fit at Escape Pod. Generally, five factors influence this choice:

  1. Who on our staff read your story? (Are they someone more or less inclined to write personals?)
  2. Did we think a comment would help this story or your future stories?
  3. Was our reaction something we could meaningfully condense down to a sentence or two?
  4. Was there something in your cover letter that affected our desire to provide feedback?
  5. How hurried was I while sending out rejection letters?
  6. Was the story a reprint? (Reprints almost never get personal notes, because the story has already achieved its final form.)

As you can see, many of these factors have nothing to do with your story. We offer feedback as often as manageable,3 but we’re not your critique group.

WHAT MAKES A STORY FIT (OR NOT)

If you receive a rejection letter of any kind, we didn’t think your story was a good fit for Escape Pod. This can happen for any combination of the following reasons:

  1. The story didn’t suit our personal tastes.
  2. We found problems with the story.
  3. We’ve seen too many stories like this.
  4. The prose would require too much editing.
  5. The story felt more like fantasy or horror than science fiction.
  6. The style wasn’t a good fit for audio.

This is fiction, not math: subjective taste is our only true yardstick. We encourage everyone to keep trying no matter what flavor of rejection they receive! Many of our authors received several rejections of various types before we bought one of their stories, and many of our staff still receive rejections from other Escape Artists podcasts.

NOTES AND EXCEPTIONS

We try to go through the main queue from oldest to newest, but there’s a lot of jitter. For example, if one of us downloads 10 stories to their Kindle, the next reader might come along ten minutes later and respond to the 11th story.

The workflow can vary if I or one of the Co-Editors plucks a story from the queue. This skips a story over one or more of the early tiers, but is not usually faster than the usual pipeline, nor does it necessarily affect the ultimate odds of acceptance. You may never notice from the outside.

Special submission calls aren’t under my management. Artemis Rising generally follows a similar workflow, but has only two editorial levels, and tries to send more personal responses.

We don’t recommend paying attention to your story status in Submittable. It can change from “New” to “In-Progress” for reasons related to your story’s place in the pipeline (e.g. an Associate Editor read your story), or completely unrelated reasons (e.g. a new person joined the Escape Pod team). From the outside there’s no way to tell the causes apart. Relax, be patient, we’ll respond as soon as we have information to share.

This is an explanation, not a contract. This process was different in the past, and will surely change again someday.

Time Cookie Wars audio reprint at Toasted Cake

Need snack on a long cold weekend? Now’s your chance to hear the Time Cookie Wars podcasted at last! Meet all your black comedy science fiction needs (and cookie hungers) via Tina Connolly’s wonderful reading in episode 208 of the Toasted Cake podcast.

Time Cookie Wars is a story about… what it says on the tin. Wars, across time, for cookies. Though I suppose you could read my original story notes for more info on what brought us to levy such judgment on our past selves.

P.S. I actually like peanut butter cookies. But they’re nothing compared to Milanos.

2018 in Review & Awards Eligibility

Another year is coming to a close, and much to show for it, ups and downs and every direction. I finished the first draft of a new novel, and worked on more short stories than I can shake a metaphor at. I made the Campbell Award longlist! I lost a Hugo award with the rest of the amazing Escape Pod team, and took part as we won and rejected a Parsec award. My final submission to Writers of the Future became a finalist, but I withdrew my story over ethical concerns. I sold 4 original stories, but two of those sales fell through when the magazines closed.

I had five original stories come out in 2018. In chronological order:

  1. Toward Lands Uncharted – Mind Candy, Feb 2018 (secondary world fantasy, 4900 words). A diplomat and spy must try to save her nation and its very history from their conqueror’s Sykes-Picot border magic.
  2. Where the Anchor Lies – Beneath Ceaseless Skies, Feb 2018 (science fantasy, 4000 words). A general visits the grave of the sentient battleship she loved, to use it as a political tool.
  3. The Seeds We Plant – Compelling SF special issue, Sep 2018 (science fiction, 2200 words). When a colony ship suffers a brutal accident, the pilot must reply on his emotional-control neuroprosthesis to save his cargo.
    • Not available free online. Contact me for a copy in the format of your choice.
  4. Elegy of Carbon – The Internet Is Where The Robots Live Now, Nov 2018 (science fiction, 4100 words). In the waning days of the solar system, a mining AI must find a new way to fulfill the purpose it loves.1
    • Not available free online. Contact me for a copy in the format of your choice.
  5. The Hammer’s Prayer – Diabolical Plots, Dec 2018 (contemporary fantasy, 3300 words). A golem hides away in ugly places, to help him resist the compulsion to share his gift of animation.2
    • If you only have time to read one story, this is the one I recommend.

I didn’t have much time for nonfiction this year, but I did publish:

  1. The chapter “What’s Possible with Cyborgs and Cybernetics” in Putting the Science in Fiction (Writer’s Digest Books). I’m also quite proud of my associated writing-prompts post, “Machines, You, and Other Synonyms.”
    • Putting the Science in Fiction – a collection of 59 essays by scientists and other experts, designed to help authors write with authenticity – is eligible for the Hugo award for Best Related Work .
  2. Twelve new entries in the #NeuroThursday Twitter feature.

If you’re in a position to nominate for awards of any kind, I hope you’ll consider not only these fine works, but the whole team over at Escape Pod. We work hard every week to bring you the finest in audio fiction, and we’ll be eligible once again for the Hugo Award for Best Semiprozine. We also published a lot of awesome stories, so take a look back at that list and see if one of them feels worthy of your love too!

Publication: The Hammer’s Prayer

The Hammer’s Prayer, my short story about a golem secretly working in the depths of Logan Airport, is now live on the Diabolical Plots website! This story was previously available as past of the Diabolical Plots Year Four anthology, but now it’s online for everyone to read.

This story is, I think, a brand new take on the golem myth. What if the word of life was no mere static gift, but a vibrant and contagious thing, begging to spread breath to new lungs?

I showed up early for work, as always. The airport’s underbelly was the ugliest place in Boston, but I would’ve spent every hour there if I could get away with it. Among the hurried machines and distant reek-sweet jet fuel, I had everything I needed. A purpose, a paycheck, a place to hide; and most of all, a land of function without beauty, where nothing would tempt me to invest it with holiness and life.

Further thoughts below the fold. No true spoilers, but why not read the story first anyways?

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Publication: Elegy of Carbon

My science fiction short story, “Elegy of Carbon,” is now available in the anthology The Internet Is Where The Robots Live Now! This exciting anthology offers 20 short stories about the intertwined lives of human and machine, from near-future to space opera.Anthology cover

About the anthology:

We are headed for convergence. The separation between mind and matter, robot and man, the artificial and the sublime is becoming less every day. Will the human race survive the reckoning? Will we crash into extinction or wake to a future beyond our current comprehension? Join Mari Ness, Benjamin C. Kinney, Aimee Ogden, Monica Louzon, Sharon Diane King, Deepak Bharathan, Kevin Daniel Lonano, Vajra Chandrasekera, Marie Vibbert, S.H. Mansouri, Nikki Macahon, Krishan Coupland, Premee Mohamed, David Rogers, Priya Sridhar, Rhoads Brazos, Matt Fuchs, Conor Powers-Smith, Maria Haskins, and Claudio J.A. Espinal as they tell twenty unique stories exploring the thinning space between human and machine.

“Elegy of Carbon” is the story I like to call the Brave Little ToasterMining AI. The miner finishes its mission, no carbonaceous asteroids left in its territory to mine for diamonds. What, then, is a mining AI to do, in a solar system cold and empty yet very much still populated?

Keep reading for some spoiler-free notes about its creation and inspiration…

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Publication: The Seeds We Plant

My short story, “The Seeds We Plant,” is now available on Amazon as part of the Compelling Science Fiction special issue! This special was originally available as a companion for their anthology kickstarter, but now you can buy it directly. Contains five original short stories from Compelling SF authors, including Pip Coen, Deborah Davitt, Mike Adamson, Steve Wire, and myself.

“The Seeds We Plant” is a story about brain-machine interfaces for emotional control: a neuroprosthetic device in the most literal sense, serving as an artificial (and externally controllable) replacement for a neural system that isn’t functioning as desired. This technology provides a way to guide and control a spaceship pilot, not by influencing their thoughts and actions, but by telling them what to care about.

Which could be dystopic indeed. But what happens when the external control goes silent, and you have only your own implants to pull yourself toward some kind of salvation?

The worst moment came not when the collision alarm flashed in his lenses, not when he slammed back and forth and sideways in his restraints, not when every screen went black. No, the worst moment came afterward, when Nathan tried to ride his adrenalinesurge toward the next action, and his fear dropped out from under him. His limbic net caught one last blip, a pulse of relief from the nursery, and then fell quiet. No fear meant no incoming signals–no equipment left alive in the ship, except in Nathan and the nursery.

Read below for some more thoughts & references, including some extremely minor spoilers.

Continue reading

TIIWTRLN – Cover, ToC, and Preorder

Check out this awesome cover for “The Internet is Where the Robots Live Now,” the upcoming anthology with my Brave Little ToasterMining AI story – now available for preorder!

Anthology cover

“The Internet Is Where The Robots Live Now” cover image

We are headed for convergence. The separation between mind and matter, robot and man, the artificial and the sublime is becoming less every day. Will we crash into extinction or wake to a future beyond our current comprehension? Join some of the brightest voices in science fiction today as they tell twenty unique stories exploring the thinning space between mind and machine.

Preorder your copy today! Contains original short stories from myself and nineteen other excellent authors including Vajra Chandrasekera, Maria Haskins, Premee Mohammed, and Aimee Ogden.

Anthology: Diabolical Plots Year Four

Earlier this month it was available for preorder, but now it’s live: you can get the Diabolical Plots Year Four anthology at your favorite ebook retailer!

Diabolical Plots Year 4 cover

For those of you who missed it last time, here’s a teaser:

I showed up early for work, as always. The airport’s underbelly was the ugliest place in Boston, but I would’ve spent every hour there if I could get away with it. Among the hurried machines and distant reek-sweet jet fuel, I had everything I needed. A purpose, a paycheck, a place to hide; and most of all, a land of function without beauty, where nothing would tempt me to invest it with holiness and life.

This is one of the stories to appear in the anthology before it comes free online at Diabolical Plots. You could sit tight for another couple of months… but why wait, when you can get it as part of such a delightful anthology?

I’ll release some more author notes about the story when the free version comes out, but here are two spoiler-free tidbits:

  1. In early drafts, the beach had bioluminescent jellyfish, an explicit homage to the Martha’s Vineyard jellies familiar to alumni of Viable Paradise. Alas, their metaphorical value was too flimsy to survive edits. Nevertheless, you can blame Robert Dawson for the writing prompt.
  2. In early drafts, the statuette was a rocket ship rather than a motorcycle. Specifically/implicitly, it was somebody’s Hugo award. I cut that for excess self-indulgence.

Preorder: Diabolical Plots Year Four

My latest story, “The Hammer’s Prayer,” will be coming out very soon in the Diabolical Plots Year Four anthology. Just look at this gorgeous cover! With my name amidst a whole bunch of other amazing writers!

Diabolical Plots Year 4 cover

If you want to support Diabolical Plots, you can preorder the anthology today via the link above. If you want to help out, consider preordering it today. Sales beget algorithms beget sales, so if you’re thinking of picking it up, preorder is best.

And now, a teaser for my tale, of a golem cursed or blessed with a contagious animation:

I showed up early for work, as always. The airport’s underbelly was the ugliest place in Boston, but I would’ve spent every hour there if I could get away with it. Among the hurried machines and distant reek-sweet jet fuel, I had everything I needed. A purpose, a paycheck, a place to hide; and most of all, a land of function without beauty, where nothing would tempt me to invest it with holiness and life.

If you want to keep reading, get yourself a copy of that anthology!