2024 in Review & Awards Eligibility

2024, whew. It’s been a bruiser of a year, hasn’t it? My updates here have been scant, but I’m still living and working, and I hope you’ve found lots of good fiction out there to ease the turning of the world.

If you’re looking for more stories, check out my 2024 publications! I hope they give you something to think about, or escape with, or simply enjoy.

Original StoriesAnalog SF cover

1.For Every Bee, a Hive” (print, audioonline text) – science fiction, 5200 words; in Analog Science Fiction & Fact, Jan/Feb 2024.1 Found families, AI swarms, cyborg futures, human-centered neurotechnology.

“Didn’t matter why the AI wanted to connect. Didn’t matter whether the AI wanted at all. Only mattered what she wanted.”

2.The Empty Throne” (online text) – historical fantasy, 3500 words; in Sunday Morning Transport, Jan 2024. Jewish sorcery and mythology, 1848 Hungarian revolution, faith in the absence of God.

“Lea scoffed. Celestial princes didn’t lie, but couldn’t he at least put some effort into dodging her question?”

Reprints

1. “Elegy of Carbon” (online text & audio) – science fiction, 4500 words; in Escape Pod, Nov 2024 (originally published in 2018 anthology, never before free online). Self-awakening AI, service to/freedom from humankind.

“The miner birthed itself among rubble and vacuum, as it sang the last threadbare diamonds out of their stones.”

2. “Eight Reasons You are Alone” (online text) – science fiction, 1000 words; in Small Wonders, Dec 2024 (originally published in Nature Futures 2021) anthology, never before free online). Conscience, self-definition, CW for suicidal ideation.

If I asked you what kind of person you are, you wouldn’t know the answer.”

The Empty Throne

My Jewish historical fantasy short story “The Empty Throne” is out today (January 27, 2024) in Sunday Morning Transport!

Lea Peneth missed her chance to fight for Hungary’s freedom. The Revolution of 1848 rose and fell while her father’s angels trapped her in her backwater village. But the Austrian Empire crushed the revolution and killed her father, and now she must carry the mantle of his rabbinic magic into the refugee-choked streets of a dead Budapest. She’ll find a way to rekindle the spark of revolution, no matter whom its flames might burn.

She returned to the queue behind her aunt. When she faced the soldiers, she imagined herself as one of Gehenna’s avenging angels, ready to herd Hungary through fire and pain to liberation.

This story is free to read, but you can also try out a free 60-day subscription to the Sunday Morning Transport here. Check it out, and consider supporting all the fine sources of short speculative fiction out there!

If you’d like to learn more about the mythology and history behind The Empty Throne, read on below the fold. Any spoilers will be marked & avoidable.

Continue reading The Empty Throne

2023 in Review & Awards Eligibility

List of short stories I published in 2023[Post updated Feb 22 with full text link for Bee/Hive]

It’s been a long year, hasn’t it my friends? Yet 2023 has also been a year of fruition: a whole lot of my past years’ work has blossomed into visible wavelengths as I signed with an agent and published 6 new short stories.

If you’re looking for some fun stories to enjoy, or you’re reading for SFF awards, check out these 2023 publications! If you don’t have the time to read all six, I’ve highlighted the ones I consider most worth your focus: “For Every Bee, a Hive” (Analog, published Dec 2023) and “The Work-Clock” (Sunday Morning Transport, Jan 2023).

Original Stories

  1. “For Every Bee, a Hive” (text, audio)– Analog Science Fiction & Fact, Jan/Feb 2024; available online Dec 20232 (space opera, 5200 words). Found families, AI swarms, crypto-Jewish cyborgs, human-centered neurotechnology.
    • “Didn’t matter why the AI wanted to connect. Didn’t matter whether the AI wanted at all. Only mattered what she wanted.”
    • This is an ambitious story that I want more people to read, so it’s my top recommendation of the year.
  2. “The Work-Clock” – Sunday Morning Transport (gaslamp fantasy, 3900 words). Crummy jobs, keeping the Evil One bound, for-profit temple factories.
    • “Funny thing. The world would bleed and die without an apprentice inspector to keep the Temple Works running, but didn’t mean the job paid well.”
    • Reviewed by Karen Burnham and Paula Guran at Locus, and Kathleen Jennings.
    • Along with Bee, I consider this my best work yet, so I would love it if you read and considered this one too.
  3. “Development Hell” (permanent pdf link) – Nature: Futures, November 2023 (science fiction black comedy, 1000 words). Buggy digital hell, and the people who have to maintain its code. CW: all the stuff you’d expect in a black comedy about hell.
    • “The third best thing about hell is explaining to the new kids why it’s so glitchy.”
  4. “The Things You Can Maintain Yourself” – Lightspeed, August 2023 (science fiction, 1000 words). Self-determination, biotechnology, car maintenance.
    • “She’d kept Snapdragon on the road for almost twenty years, and if the world would leave her alone, she could keep him alive for five more, easy.”
    • Reviewed by Camestros Felapton
  5. “Driftwood” – Analog Science Fiction & Fact, Sep/Oct 2023 (science fiction, 2300 words). Dubious astrobiology, economics, communication.
    “Driftwood,” by Eli Bischoff, for Analog Sep/Oct 2023
    • “Whatever my husband had been trying to complain about, it’d wait until tomorrow.”
    • Reviewed by Mina
  6. “Here at the Freezing End” – Analog Science Fiction & Fact, Jul/Aug 2023 (science fiction, 3900 words). Triage, cold, work in the face of hopelessness.
    • “If the Federation still had starships of any kind, they were defending the homeworld four wormholes away. Bigger empires fought over its body now, the bones not yet cold in the ground.”
    • Reviewed by Mike Bickerdike

Reprints

  1. “Conference of the Birds” – Escape Pod, December 2023 (science fiction, 3900 words). AI and distributed minds. Another one of my neuroscience-heavy pieces, I wrote a whole article about the underlying science.
    • “No program-layer could predict what a human might do, but Surveillance Hub could see everything that mattered.”
    • Original publication: Analog Science Fiction & Fact, Jan/Feb 2021
  2. “Elegy of Carbon”  – Dragon Gems Spring 2023 (science fiction, 4100 words). Self-awakening AI, service to/freedom from humankind.
    • “Jewel looked out upon the Earth and could not measure why so many people loved that dull orb of mere lapis and jade, streaked with calcite white.”
    • Original publication: The Internet Is Where the Robots Live Now, Nov 2018

Other Award Recommendations

If you’re nominating for the Hugo Awards, I hope you’ll consider Escape Pod for Best Semiprozine. Since I retired this past summer, the 2023 publication year is the last one where I will be part of the team. If you think we’ve put out some great stories and made the world/genre a better place, consider nominating us!

Also, please consider our co-editors Mur Lafferty & Valerie Valdes (as a two-person team) for Best Editor Short Form.

Publication: For Every Bee, a Hive & Human-Centered Neurotechnology

Edit April 2024: “For Every Bee, a Hive” is out of exclusivity, and I have made it available for free via epub, pdf, or my webpage.

My short story “For Every Bee, a Hive” is out today (December 9, 2023) in the Jan/Feb 2024 issue of Analog Science Fiction & Fact! The online version is available now via the single issue or subscription. If you don’t have the spare cash to support Analog right now, you can also listen to “For Every Bee, a Hive” for free via the Analog podcast.

It’s a story about the space opera found family trope, and AI swarms, and all the tensions and similarities between those two concepts.

She wanted to pity this thing, with its cries for connection. But she shouldn’t anthropomorphize. According to that < archive check >, this AI’s faction didn’t build human-like consciousnesses. It didn’t feel lonely. It might not feel anything like humans did.

Not that she’d known what Agam had felt, when they’d declined to follow her.

This story also introduces my first ideas about human-centered neurotechonology. The future of “cyborg” technology means a lot to me as a neuroscientist who did his PhD work in early brain-machine interface technology. Science fiction and futurism often envision this technology as a way to enhance human cognition, but this always carries an unpleasant whiff of eugenics – what is “enhancement,” what do we value about the minds we have, how can we make sure those values encompass the full range of human diversity?  This is why I think a “human-centered neurotechnology” means a conceptual shift away from enhancing human minds, toward supporting human minds.

For more on that and other author notes, keep reading. Don’t worry, no spoilers in there!


In “For Every Bee, a Hive,” the ‘free humans’ are cyborgs who alter their bodies to live in the outer solar system. This is part of a longstanding human tradition: ever since the first knapped stone axes, human beings have incorporated our technologies into our identity.  Cybernetic modification would (will?) be just one more step in a long journey. As put by Tamar, protagonist of “For Every Bee, a Hive”:

The free humans had survived all these centuries by adapting. By taking new technologies into themselves and becoming what they needed to be.

Tamar’s people use neurotechnology not to enhance or supplant human cognition, but to support it by allowing humans to do more of what they do best. They are spatial thinkers, social thinkers, people who reach their best ideas by the interplay between concrete action and abstraction. Specifically, during this story you will see Tamar’s implants do the following:

  1. Improve interoceptive awareness of embodied cognition (e.g. Tamar’s biocognitive system)
    • Real-life example: all those times you listened to your ‘gut feeling’ – or wish you had
  2. Provide interactive kinesthetic experiences of abstract concepts (e.g. directing her ship by throwing its icon at a target)
    • Real-life example: analyzing a plot (as a detective or a writer) is easier with an evidence/murder board with physical notes and string you can move and manipulate
  3. Introduce a ‘detachment gain’ by automatically moving ideas into space where you can observe them with your senses (e.g. organizing radar data into maps of local space)
    • Real-life examples: creating a map, writing something down, presenting an idea in an image instead of text
  4. Unburden the mind from boring challenges like memorization (e.g. her archive checks)
    • Real-life example: who memorizes phone numbers anymore??
  5. Provide distributed memory & argumentative reasoning via a shared-access mental space for social error-checking and idea refinement (many examples)
    • Real-life examples: brainstorming with friends or colleagues, or every time you think “now that I say this out loud, it obviously doesn’t make sense”

My human-centered neurotechnology is greatly indebted to this article about how we offload cognition to other people/technologies (New York Times free gift link), which presents four “extraneuronal resources” for cognition: technology, the body, physical space, and social interaction.

The purpose of human-centered neurotechnology – what distinguishes its approach from more traditional cognitive enhancement – is that it recruits non-brain resources to support (and more widely deploy) the embodied, social cognition that humans do best. It’s not about thinking better or faster or differently, it’s about bringing more of the world in touch with the minds we have.


And now, four more story notes that aren’t related to the cyborgs and neuroscience:

First: This is the story I read at the Space Opera Themed Reading at ChiCon 8 (Worldcon 2022). So glad that people finally get the full story!

Second: This story takes place in the same universe as The Successors, Elegy of Carbon, and the manuscript my agent currently has out on submission. Those stories are all set elsewhere, among the AIs and the humans that Tamar thinks of as the AI’s pets! Those folks live a very pleasant space opera post-scarcity life; but given any paradise, someone’s going to want out of it, and that’s basically who Tamar’s ‘free human’ cyborgs are.

Third: I originally wrote this story with the visual labels as emoji: for example, instead of TREE, it said 🌲. A bit of a beast to publish it that way, sadly, but after a read-aloud attempt at ChiCon 2023, I realized the story works equally well with words.

Fourth: One reason the cyborgs split off from other humans is over religion. (The “other humans” get a passing reference in the story as “the androids’ pets.”) In the history of this world, there was a population crash, followed by an intentional (if potentially ill-advised) effort to homogenize humans into a single group. Those who secretly maintained their religious identity eventually split off into their own people, who became the cyborgs.

Why does that matter? Because it’s why Tamar’s people are crypto-Jews! Tamar probably doesn’t know what Judaism is, her people are akin to the (subset of) Spanish conversos who, in the centuries after 1492, maintained a history of Jewish practices and traditions without understanding the origins of those traditions.  Tamar’s ship name, The Year of the Trees, is a corruption of Tu B’Shevat.

Reprint: Conference of the Birds

Reprint time! Now that I’m no longer working for Escape Pod, I can send my stories there – which means you all get to read & listen to “Conference of the Birds,” my short story about our hard-working distributed-mind friend Surveillance Hub. This story originally appeared in Analog Science Fiction (Jan/Feb 2021).

Birds aren’t real, but they can definitely fake it.

If they couldn’t recruit a human, maybe they could build one. Or at least a useful simulacrum.

This story captures a lot of my opinions about consciousness, distributed minds, artificial intelligence, how we ought to interact with these things – and how they ought to interact with us. To read more about the neuroscience & philosophy behind “Conference of the Birds,” check out Embodied and Empathetic Minds, the companion essay I wrote for the Analog blog.

Publication: Development Hell

My short story “Development Hell” is out today in Nature: Futures! It’s a science fiction black comedy about, well… I hope you’re ready to sleep in the office, because hell needs some patches and everyone has to work crunch.
Development Hell (art by Jacey)

If the story link above doesn’t work, you can find a permanent archival pdf version here.

The third best thing about hell is explaining to the new kids why it’s so glitchy.

All my story notes are right there on the story’s webpage, so instead of me rambling here, I’ll send you off to give “Development Hell” a quick read! The story is only one page long, and I can give you a few seconds’ time off to read it.

Publication: Driftwood

The September/October 2023 issue of Analog Science Fiction & Fact arrived in my mailbox yesterday, with a copy of my science fiction short story “Driftwood!” You can buy the issue online, or subscribe in digital or print editions.3

Val is a drone operator on a commercial mining-colony expedition, in orbit over the world they plan to make into their home and their living. The very last thing she wants to find is vague, ambiguous, chemical evidence of extraterrestrial biology.

The drone’s telemetry scrolled up the side of my windowscreen, number after number building toward an answer, overlaid on the live view of Driftwood’s longest mountain range. One set of numbers blinked yellow, alongside an unfamiliar symbol. I paused the scroll. At the screen’s edge, my husband’s videocall continued in thumbnail, volume down low. I expanded the image to a size I could see. “I gotta run. Something’s going on with a geo drone.”

This is the same issue where I have a Biolog writeup as the Featured Author. And even more importantly, Driftwood comes with its own illustration! I love Eli Bischoff‘s choice of illustration and how he executed it.

Check below the fold for a high-res view of the art, and some spoilery details on the story’s scientific inspiration.

 

 

 


First, the Eli Bischoff’s illustration in all its full-resolution glory:

I knew Driftwood was going to have an illustration, but until I opened up my Analog delivery I didn’t know what the art might be – and when I saw this, I thought “hah, PERFECT.” One of the story’s most important images is a piece of in-story artwork, and I’m delighted to see a real artist’s vision of it!

This story came into existence when an astrobiologist friend was visiting us, and I asked him, “What’s the most interesting thing you’ve read lately?” He pointed me right toward this: the concept of the Molecular Assembly Index. Even if the life is totally foreign, there are ways to assess the likelihood of a molecule coming from life vs. non-life.

I do think this story is as realistic a “first contact” scenario as we’re likely to get. Molecules and hints, their true nature obscure. And people at the point of contact who have a very different set of incentives. Here’s hoping they find a solution that is feasible, genuine, and preserves the universe’s wonder!

Publication: The Things You Can Maintain Yourself

My science fiction short story “The Things You Can Maintain Yourself” is free online for all to read today in issue 159 (August 2023) of Lightspeed Magazine! I’ve wanted to publish in Lightspeed for my whole writing career, so I’m excited to appear on their table of contents alongside so many other excellent stories.

“The Things You Can Maintain Yourself” is a flash-length story about car repair, individualism, and a post-post-climate-change world (in a good way). The self-reliant call of the open road is fundamental to the American mythos, but some things you can maintain yourself, and other things take a community.

Jill wiped xylem from her gloves and closed her car’s leafy hood. She’d kept Snapdragon on the road for almost twenty years, and if the world would leave her alone, she could keep him alive for five more, easy.

It wouldn’t, and she couldn’t. No amount of repairs today would spare Snapdragon from the weeding, or her from the pain of uprooting a thing she loved.

You can read my story for free online, or buy the issue 159 as an ebook for $3.99 from the publisher, BN.com, Amazon, Kobo, or Weightless Books; or get an annual subscription to Lightspeed – with twelve months of story-packed issues like this one – for $35.88

More notes (with spoilers) below the fold.


I first wrote this story in a 2021, to a writing challenge based around images. This is the image that called to me, and became the seed of TTYCMY:

A person with flowers blooming in p[lace of their head, and a hammer in their hands.

This art appealed to me for two reasons: the burst of plants and flowers out of a drab outfit and concrete wall, and the hammer in the figure’s hands. It looks to me like, in the art, the person is freeing themselves, knocking a hole in the wall to free their vibrant spirit. For this story, I interpreted the two parts separately: a bloom of overflowing life, and the burden of a dripping hammer.

Destruction is often a part of life, but that doesn’t make the price feel any less.

 

 

 

 

 

 

 

Publication: Here at the Freezing End

It’s June 15, which means time for you all to read my latest science fiction short story: “Here at the Freezing End” it out in the latest issue of Analog Science Fiction & Fact! You can buy the issue online, or subscribe in digital or print editions.1

This is a short little piece about a stranded expedition, about surviving – and dying – on a frozen world cut off from all hope of supply. On knowing who you can help, and who you can’t, and how to do a job when it’s as futile as it is important.

This story is inspired by the many years I spent as a member of the National Ski Patrol. In my younger days I served at a busy Vermont alpine ski resort, where we provided first aid and transport to the injured every day, and trained ourselves for the mass casualty events that we hoped we’d never see. (And thankfully, at least in my case, never did.) Later in my life, I served for a year on a backcountry ski patrol in Oregon, where injuries were rare, but would require hours of hauling toboggans along trails in cross-country skies or snowshoes.

Both of those experiences inform this story. Triage, and search & rescue. Cold snow and the savage sweaty heat of exertion.

May none of us be so doomed as the protagonists of “Here at the Freezing End.” But if life feels that way sometimes, may we find as much purpose as they do.

Reprint Double : Cruise Control

“Why the hell would I want to become a car?”

My short story Cruise Control is on the road again for reprints, twice in the last few weeks! You can find it online in the February 2023 issue of Flash Fiction Online, and Elijah Lucian has put together a great little audio version. It originally appeared in Fireside Magazine in 2021, but I’m excited to get it in front of new eyes and ears.

A bleak little tale of family resentments, retiree brains, and (in) self-driving cars. If you want to learn more about it – including the underlying neuroscience – check out my story notes from the original publication.